SCOM Papers
Note: This information is for 2011, and may have been updated since the Guide to Enrolment was printed.
| Title | The Techniques of Natural History Filmmaking |
|---|---|
| Code | SCOM401 |
| Subject | Science Communication |
| EFTS | 0.2 EFTS |
| Points | 24 points |
| Teaching Period(s) | Full year |
| Domestic Tuition Fees (NZ$) | Fees for 2011 have not yet been set. 2010 fees information is available elsewhere on this website. |
| International Tuition Fees (NZ$) | Refer to tuition fees information for international students elsewhere on this website. |
Prescription
A seminar-based paper that deals with the process of making a science or natural history documentary.
Restriction: NHFC 401
Limited to: MSciComm(Endorsed)
Note: May only be taken by students enrolled for the Science and Natural History Filmmaking endorsement.
Overview
This is a seminar-based paper that deals with the technical bits you need to know to make a documentary, like how to use a camera and what to do with the stuff it records.
But it goes much further than that too. Our extremely experienced teachers are all active filmmakers and they will take you through such processes as lighting, interview techniques, sound recording, use of hides for filming animals, macro work and just about everything else that can affect the technical quality of a film. The result is a guaranteed jump in the quality of your filmmaking skills and an awareness of the issues associated with filming wildlife.
Undertake practical exercises designed to prepare you for producing natural history films.
The unique involvement of NHNZ in this course means that the techniques of filmmaking are taught by award-winning professionals currently working in natural history filmmaking.
Objective
Provide basic knowledge and training in the practical skills needed to make a science or natural history documentary
Examples of components of this paper:
- Cameras and the role of the Camera Operator
- Use of cameras (e.g. Canon XL1s, Sony Z1, Canon A1/H1)
- Directing and the role of the Director
- Formats
- Framing
- Lighting
- Camouflage
- Ethics of wildlife filmmaking
- Sound
- Filming in a studio and macrophotography
- Filming human subjects
- Editing and the role of the Editor
- Editing with Final Cut Pro
- Sound editing
- Music
- Sound mixing
- Colour Correcting
Examples of practical exercises associated with this paper may include:
- Produce a music video
- Film a sequence that tells a story
- Construct a story from supplied footage
Eligibility
Available ONLY to students enrolled in the MSciComm in Science and Natural History Filmmaking.
Timetable
| Location | Dunedin |
| Timetable to be arranged | |